Citizens Band.
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Various – Quad Trac Rock’n Roll X 4 – 1984 – ROCK
Various – Quad Trac Rock’n Roll X 4. Style:Rock & Roll. This 45 Record have been Cleaned and Tested both sides in full on a CROSLEY player. Format:Vinyl, 7″, 33 ⅓ RPM, EP. B2 Leon Patillo – The Sky’s The Limit 3:34.
Schoolly D No More Rock N’ Roll / Treacherous (Remix) 7” Vinyl Jive 1151-7-J
Schoolly D – No More Rock N‘ Roll (U.K. Mix) / Treacherous (Remix) Jive Records – 1151-7-J 1988 7″ Vinyl Single with Picture Sleeve Tracks: Side A: No More Rock N‘ Roll (U.K. Mix) (Clean Version) 3:15 Side B: Treacherous (Remix) 5:06 Classic late-80s hip-hop from Philadelphia pioneer Schoolly D (from the Smoke Some Kill era). Cool yellow picture sleeve with bold graphic design. Condition: Excellent – vinyl looks clean and glossy with minimal wear (see photos). Plays great. Sleeve is solid. Ships securely in new mailer.
Rock Promo 45 Cashman & West – The King Of Rock ‚N Roll / The King Of Rock ‚N Ro
Cashman & West.
BILL WITHERS Live At Carnegie Hall 180-gram VINYL 2xLP Sealed MOFI Numbered MFSL
Please see all my other AUDIOPHILE listings EASYGOING PORTRAIT OF DOWN-HOME SOUL SINGER COMING INTO HIS OWN AND ESTABLISHING AN INDELIBLE BOND BETWEEN PERFORMER AND AUDIENCEOn par with the most treasured concert albums of the 60s and 70s, Bill Withers‘ transformative Live at Carnegie Hall is a forgotten classic – an easygoing portrait of a down-home soul artist coming into his own in front of an audience eager to share every moment of his brilliance. Soothing with subtlety, charming with calmness, and healing with a vocal timbre as relaxing as his grooves, Withers uses the stage to expand the range of favorites and engage in dialog with the crowd. Distinguished with sonics that restore the performances‘ balance and improve the soundstaging, this reissue takes you inside the venue.Use MeFriend of MineAin’t No SunshineGrandma’s HandsWorld Keeps Going AroundLet Me In Your LifeBetter Off DeadFor My FriendI Can’t Write Left HandedLean on MeLonely Town, Lonely StreetHope She’ll Be HappierLet Us LoveHarlem/Cold BaloneyMoreover, aspects that really make this concert document unique – the energetic crowd, Withers and his band’s willingness to extend arrangements, and the undeniable communicative bond between the performer and his fans – are brought into fuller relief. While most live albums give you the sense of what transpired, our reissue allows it to seem that what you’re hearing and sensing is happening right now, in the moment. You are as much a participant as listener. For this reason and more, Live at Carnegie Hallranks with James Brown’s Live at the Apollo and B.B. King’s Live at the Regal. No small claims, but the proof is in the grooves.The antithesis of the sweaty R&B shouter that prowls the edge of stages, Withers deals in mellowness and vulnerability, qualities that come to fore. The songs here span soul, blues, and folk and often times, contain elements of all three styles. Live at Carnegie Hall also deals with serious subject matter with unflinching honesty and simple directness. Companionship, poverty, war, maturity, family, and love all crop up within Withers‘ tunes, yet the messages are never overly cumbersome or preachy. Credit goes to his easygoing style and relatable lyrics, not to mention a tight-as-a-vice band that on this night is simply „on.““One more time?“ Withers asks in response to a request for another stanza during „Use Me,“ and like the snap of fingers, his musicians are right back on cue, the crowd clapping along on every beat. This classic, as well as the instantly familiar „Ain’t No Sunshine,“ poignant „Grandma’s Hands,“ and all-time favorite „Lean On Me“ are delivered with utmost soulfulness, passion, and electricity. Few, if any, live albums demonstrate such a bond between the crowd and artist as Live at Carnegie Hall. You’ll definitely want to be there.
INXS – Kick – Analogue Productions – 2x 180-Gram, 45-RPM Audiophile LP
Analogue Productions – AAPA 032-45. Part of Atlantic 75 Audiophile Series. Limited Edition pressing remastered by Ryan K. Smith on two 180-gram 45-RPM, audiophile vinyl LP’s. Pressed at Quality Record Pressings.
Santana ~ ABRAXAS ~ MFSL ~ Numbered, Special Edition, SuperVinyl~SEALED!
The result: Spacious, airy, and you-are-there sonics that further benefit from the characteristics of MoFi SuperVinyl: an ultra-low noise floor, superior groove definition, and dead-quiet surfaces. Like the group’s debut, Abraxas long laid claim to one of the biggest production gaffes in music history.
GRATEFUL DEAD: Truckin’ 3:13-Ripple 2:55-U.S. 7″ 71 Warner Bros. Recs.7464 Promo
The product is a 7″ vinyl single by the Grateful Dead, released in 1971 by Warner Bros. Records. The record features the songs „Truckin'“ and „Ripple,“ both with a speed of 45 RPM. This promo first pressing is in very good condition and showcases the psychedelic rock style of the 1970s. The black vinyl record comes in a 7″ size and includes white label features, making it a unique collector’s item for fans of classic rock music.
Dave Brubeck Quartet – Time Out (2LP) 180 Gram 45RPM Audiophile Vinyl, gatefold
„The definitive Time Out by The Dave Brubeck QuartetFirst time reissued as a gatefold jacket, with rare black and white photos from the Columbia Studios recording session. Heavy-duty chipboard shell stock by Stoughton Printing180-gram, double LP set cut at 45 RPM by Bernie Grundman and pressed at Quality Record PressingsVirtually all serious and even casual music lovers ought to be familiar with, or at least are likely to have heard The Dave Brubeck Quartet, even without realizing it – for the quartet’s best-known hit “Take Five“ has graced the soundtracks of multiple films, including “Mighty Aphrodite,“ “Pleasantville“ and “Constantine.“The piece is famous for its distinctive, catchy saxophone melody, as well as its use of unusual 5/4 time – so distinctive, it’s a rare jazz track that became a pop hit.Including the monster hit “Take Five,“ the Brubeck Quartet’s Time Out is a jazz and audiophile classic. Every album collection needs a copy. And now, cut at 45 RPM on 180-gram premium vinyl, pressed at Quality Record Pressings (Acoustic Sounds‘ own industry-lauded LP manufacturer), Analogue Productions brings you the definitive copy.Why definitive? The dead-quiet double-LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. But it’s more than just the vinyl that makes this release so special. For the first time in its history, Time Out is presented here packaged in a deluxe gatefold jacket. Inside are eight fantastic black and white images shot during the recording session at Columbia’s famous 30th Street Studios. Sony Music supplied the images for use in our SACD reissue, and gave us persmission to use them in our LP reissue as well.The jacket is also special – very heavy-duty. It’s produced for us by Stoughton Printing featuring a printed wrap mounted to a heavyweight chipboard shell, producing an authentic “old school“ look and feel. This jacket is a beauty! Never has Time Out’s colorful iconic cover art looked so vibrant.The record label’s sales executives didn’t want a painting on the cover when Time Out debuted in 1959 on Columbia Records, Brubeck told an interviewer. An entire album of originals? That wouldn’t work either, he was told. Some standards and some show tunes were needed in the mix. Fortunately, Brubeck ignored the conventional wisdom and Time Out became the original classic we know it as today. Brubeck became proof that creative jazz and popular success can go together.The album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State-sponsored tour of Eurasia. In Turkey, he observed a group of street musicians performing a traditional Turkish folk song that was played in 9/8 time, a rare meter for Western music.Paul Desmond, who was Brubeck’s alto saxophonist, wrote “Take Five,“ at Brubeck’s urging to try and write a song in quintuple (5/4) time.“I told Paul to put a melody over (drummer) Joe Morello’s beat,“ Brubeck explained. As a jazz pianist, Brubeck became a household name in jazz in part due to Time Out’s success. Demond’s cool-toned alto and quick wit fit in well with Brubeck’s often heavy chording and experimental playing. Morello and bassist Gene Wright completed the group. The Quartet traveled and performed constantly around the world until breaking up in 1967 to pursue other musical ventures.Time Out peaked at No. 2 on the Billboard pop albums chart and was certified platinum by the Recording Industry Association of America. “Take Five“ became a mainstream hit, reaching No. 25 on the Billboard Hot 100, and No. 5 on Billboard’s Easy Listening survey, the precursor to today’s Adult Contemporary charts. The song was included in countless movies and television soundtracks and still receives significant radio play.Musicians:Dave Brubeck, pianoPaul Desmond, alto saxophoneJoe Morello, drumsGene Wright, bass1. Blue Rondo A La Turk2. Strange Meadow Lark3. Take Five4. Three To Get Ready5. Kathy’s Waltz6. Everybody’s Jumpin’7. Pick Up Sticks“
Columbia The Dave Brubeck Quartet Jazz Goes to College Vol. II 7″ 45 EP B-436
Columbia The Dave Brubeck Quartet Jazz Goes to College Vol. II 7″ 45 EP B-436